Please polish my research paper to make it more concise, readable, and engaging: More and more attention has been paid to contemporary traditional culture and its status in world culture has been enhanced day by day. The creation of Chinese painting is also prospering day by day. The public pays more and more attention to art education. However, in the pursuit of large-format visual impact, we should also pay more attention to the initiative expression and emotional sustenance. We should not ignore the most basic problem of the expression of Chinese painting because of its large length and strong visual impact. Nowadays, with the development of science and technology, our painting pigments are not restricted to natural raw materials, but also provide a lot of convenience for our creation. The theme is also more tolerant and extensive, and humanistic care is becoming stronger and stronger. But no matter what kind of materials are used for painting creation, we can not lose the "root" of Chinese painting -- "meaning". It is also a key question that we should think about how to combine the various styles of Chinese painting with the image. Nanyang stone sculpture pays attention to the existence of reality, white space and choice, the pattern has strong color, Chinese painting is the same, we should pay attention to the white space in the creation of Chinese painting, empty is full, can not blindly pursue to draw more and win, such expression is too passive, but less and refined works have more Chinese painting flavor, Blindly without choice of the passive representation of objective things will make the picture lose aura, all aspects, do not understand the blank, do not understand the choice, then lose the choice spirit, choice is also an extremely important point of imagery. With the rapid development of science and technology and the endless emergence of various electronic products, our painting has brought a lot of convenience. We can observe nature more carefully through electronic media, and to some extent, we are no longer limited by time and space. We can get more excellent resources in the first time, and many ancient paintings are particularly clear on the electronic screen, which is convenient for our learning. However, in order to improve the efficiency of artistic creation, we should not over-rely on electronic products in painting, including all kinds of drawing software, or even use computer programs to synthesize some pictures. Artificial intelligence cannot replace human brain in thought and emotion. Electronic products have no emotion, and excessive reliance on electronic products for creation will make our works rigid and impersonal, not to mention the image and interesting expression of artistic works. Works without thought and emotion are like empty shells, which are untenable and soulless, and cannot strike deep into people's hearts. Nor does it leave a deep impression. The realm of blending Chinese painting objects needs us to get close to nature, draw nutrients from nature, achieve the state of forgetting things, and only then can there be the blending of "meaning" and "image". While enjoying the convenience brought by high technology, we should also pay attention to avoid many problems. In recent years, with the influx of Western aesthetic thoughts, we emphasize the "integration of the West and the West", and absorb many advantages of Western painting, such as a lot of reference value in some color matching and modeling, but we can not forget the fundamental meaning of Chinese painting, we can not too pursue the use of light and shadow surface to express the texture and volume of objects. Also, we should not be too passive to depict objective things like painting photos, ignoring the expression of the volume, space and texture of the objective objects with lines in Chinese painting. We should take the initiative to express the things seen in our eyes, rather than the passive representation of Western painting. "The beauty lies in the similarity and the unsimilarity" is the pursuit of Chinese painting. An important difference between Chinese painting and Western painting lies in its expression of meaning. In the face of the vigorous development of economy, culture and other aspects, Chinese painting is also making progress. We are in this prosperous era, and we should seize the opportunity given by The Times to better integrate intentional language into Chinese painting is also the development direction of contemporary Chinese painting. In recent years, we have paid more and more attention to the inheritance and development of traditional culture, and our national confidence has increased unprecedentedly. People are also paying more and more attention to the study of the iconography of Chinese painting, and want to pass on the image spirit, but the pursuit of iconography is not accomplished overnight. Behind the iconography is the condensed expression of the combination of personal knowledge and objective things, which requires artists to have a wide range of knowledge, broad mind and spirit. Mr. Zhu Guangqian once said, "Life is an art in a broader sense. Every man's life history is his own work." [6] If you want to improve your own aesthetic painting accomplishment, you should focus on learning excellent traditional Chinese culture, cultivating your body and mind, improving your cultural accomplishment, and attaching importance to the accumulation of traditional culture, which is the only way to improve the aesthetic of Chinese painting. Moreover, we should improve our ability to observe nature and find beauty. Everything in the world is not a lack of beauty, but a lack of eyes to find beauty. We should be sensitive to beautiful things and not numb. In Sheikh's "Theory of the Six Methods", he once mentioned "transfer and copy". He should know how to copy, learn from others' strengths and complement his own weaknesses, and take the initiative to see and think more, absorb nourishment from excellent works of art, and improve his vision. He should constantly study classical works with his heart, and should not blindly look at them or ignore the pure expression of art. If we ignore the skill of art, we should lay a good foundation and pursue our own style of iconography on the basis of it. We should not unilaterally and extremely pursue iconography while ignoring the training of modeling ability. We should have strong modeling ability as the support to grasp the iconography. Zhang Feng once put forward: "Learn from nature, learn from the heart". If you want to paint Chinese painting well, you must love nature, be good at observing nature, discover the beauty of the natural world, go into nature more, and sketch more. With the rapid development of contemporary digital technology, some artists rely too much on electronic products and take photos as materials while ignoring the importance of sketch practice. Only by getting close to nature and entering into nature, and blending into one's own thoughts and feelings, can one reach the painting realm of the integration of matter and self. If we only pay attention to the subjective expression of objective things, we will lose its truth and walk on the road of aestheticism. If we blindly express objective things without subjective emotion, we will lose its beauty and walk on the road of naturalism. The works we create should be highly unified in ideology and artistry. [7] Without thinking, artistic creation has no soul; Without art, it cannot be called art. Only the unity of truth, goodness and beauty, and the combination of observing objective things and subjective emotion expression can complete a work of art with high quality image expression. With the rapid development of contemporary society and economy and the great wealth of material, the commodity property of painting has been paid more and more attention. Painting works have gradually entered the public's vision and become more and more popular among the public. However, the market's acceptance of works of art is still limited, and the acceptance of works with strong image language is still low. In order to meet the market demand, the creators should not abandon their own creation style, be led by the nose by the market, and forget the fundamental attribute of Chinese painting, but should use their works to lead the artistic trend and move the viewers. The painting will be influenced imperceptibly, and the public will gradually appreciate the symbolic expression language of Chinese painting, which is also to spread the traditional culture with their own strength. In a word, we must stick to our original intention of creation, and not let the market climate affect our original intention, and become the slave of commodity economy.

Please polish my research paper to make it more concise, readable, and engaging:
More and more attention has been paid to contemporary traditional culture and its status in world culture has been enhanced day by day. The creation of Chinese painting is also prospering day by day. The public pays more and more attention to art education. However, in the pursuit of large-format visual impact, we should also pay more attention to the initiative expression and emotional sustenance. We should not ignore the most basic problem of the expression of Chinese painting because of its large length and strong visual impact. Nowadays, with the development of science and technology, our painting pigments are not restricted to natural raw materials, but also provide a lot of convenience for our creation. The theme is also more tolerant and extensive, and humanistic care is becoming stronger and stronger. But no matter what kind of materials are used for painting creation, we can not lose the "root" of Chinese painting -- "meaning". It is also a key question that we should think about how to combine the various styles of Chinese painting with the image. Nanyang stone sculpture pays attention to the existence of reality, white space and choice, the pattern has strong color, Chinese painting is the same, we should pay attention to the white space in the creation of Chinese painting, empty is full, can not blindly pursue to draw more and win, such expression is too passive, but less and refined works have more Chinese painting flavor, Blindly without choice of the passive representation of objective things will make the picture lose aura, all aspects, do not understand the blank, do not understand the choice, then lose the choice spirit, choice is also an extremely important point of imagery. With the rapid development of science and technology and the endless emergence of various electronic products, our painting has brought a lot of convenience. We can observe nature more carefully through electronic media, and to some extent, we are no longer limited by time and space. We can get more excellent resources in the first time, and many ancient paintings are particularly clear on the electronic screen, which is convenient for our learning. However, in order to improve the efficiency of artistic creation, we should not over-rely on electronic products in painting, including all kinds of drawing software, or even use computer programs to synthesize some pictures. Artificial intelligence cannot replace human brain in thought and emotion. Electronic products have no emotion, and excessive reliance on electronic products for creation will make our works rigid and impersonal, not to mention the image and interesting expression of artistic works. Works without thought and emotion are like empty shells, which are untenable and soulless, and cannot strike deep into people's hearts. Nor does it leave a deep impression. The realm of blending Chinese painting objects needs us to get close to nature, draw nutrients from nature, achieve the state of forgetting things, and only then can there be the blending of "meaning" and "image". While enjoying the convenience brought by high technology, we should also pay attention to avoid many problems. In recent years, with the influx of Western aesthetic thoughts, we emphasize the "integration of the West and the West", and absorb many advantages of Western painting, such as a lot of reference value in some color matching and modeling, but we can not forget the fundamental meaning of Chinese painting, we can not too pursue the use of light and shadow surface to express the texture and volume of objects. Also, we should not be too passive to depict objective things like painting photos, ignoring the expression of the volume, space and texture of the objective objects with lines in Chinese painting. We should take the initiative to express the things seen in our eyes, rather than the passive representation of Western painting. "The beauty lies in the similarity and the unsimilarity" is the pursuit of Chinese painting. An important difference between Chinese painting and Western painting lies in its expression of meaning. In the face of the vigorous development of economy, culture and other aspects, Chinese painting is also making progress. We are in this prosperous era, and we should seize the opportunity given by The Times to better integrate intentional language into Chinese painting is also the development direction of contemporary Chinese painting.

In recent years, we have paid more and more attention to the inheritance and development of traditional culture, and our national confidence has increased unprecedentedly. People are also paying more and more attention to the study of the iconography of Chinese painting, and want to pass on the image spirit, but the pursuit of iconography is not accomplished overnight. Behind the iconography is the condensed expression of the combination of personal knowledge and objective things, which requires artists to have a wide range of knowledge, broad mind and spirit. Mr. Zhu Guangqian once said, "Life is an art in a broader sense. Every man's life history is his own work." [6] If you want to improve your own aesthetic painting accomplishment, you should focus on learning excellent traditional Chinese culture, cultivating your body and mind, improving your cultural accomplishment, and attaching importance to the accumulation of traditional culture, which is the only way to improve the aesthetic of Chinese painting. Moreover, we should improve our ability to observe nature and find beauty. Everything in the world is not a lack of beauty, but a lack of eyes to find beauty. We should be sensitive to beautiful things and not numb. In Sheikh's "Theory of the Six Methods", he once mentioned "transfer and copy". He should know how to copy, learn from others' strengths and complement his own weaknesses, and take the initiative to see and think more, absorb nourishment from excellent works of art, and improve his vision. He should constantly study classical works with his heart, and should not blindly look at them or ignore the pure expression of art. If we ignore the skill of art, we should lay a good foundation and pursue our own style of iconography on the basis of it. We should not unilaterally and extremely pursue iconography while ignoring the training of modeling ability. We should have strong modeling ability as the support to grasp the iconography. Zhang Feng once put forward: "Learn from nature, learn from the heart". If you want to paint Chinese painting well, you must love nature, be good at observing nature, discover the beauty of the natural world, go into nature more, and sketch more. With the rapid development of contemporary digital technology, some artists rely too much on electronic products and take photos as materials while ignoring the importance of sketch practice. Only by getting close to nature and entering into nature, and blending into one's own thoughts and feelings, can one reach the painting realm of the integration of matter and self. If we only pay attention to the subjective expression of objective things, we will lose its truth and walk on the road of aestheticism. If we blindly express objective things without subjective emotion, we will lose its beauty and walk on the road of naturalism. The works we create should be highly unified in ideology and artistry. [7] Without thinking, artistic creation has no soul; Without art, it cannot be called art. Only the unity of truth, goodness and beauty, and the combination of observing objective things and subjective emotion expression can complete a work of art with high quality image expression. With the rapid development of contemporary society and economy and the great wealth of material, the commodity property of painting has been paid more and more attention. Painting works have gradually entered the public's vision and become more and more popular among the public. However, the market's acceptance of works of art is still limited, and the acceptance of works with strong image language is still low. In order to meet the market demand, the creators should not abandon their own creation style, be led by the nose by the market, and forget the fundamental attribute of Chinese painting, but should use their works to lead the artistic trend and move the viewers. The painting will be influenced imperceptibly, and the public will gradually appreciate the symbolic expression language of Chinese painting, which is also to spread the traditional culture with their own strength. In a word, we must stick to our original intention of creation, and not let the market climate affect our original intention, and become the slave of commodity economy.

Please give the above paragraph a title

The above part mainly describes that we should pay attention to the meaning of contemporary Chinese painting, please combine the content of the paragraph to create a new title

This article mainly includes the following parts. First, the historical background of Nanyang stone sculpture is expounded. Secondly, it describes the embodiment of "imageness" in Nanyang painting stone. After that, I talked about the expression of "image-nature" in traditional Chinese painting. Finally, the author says that contemporary Chinese painting should pay more attention to the integration of "imagery". Please give me a title that summarizes all of the above.

有一篇美术领域的文章中主要包含以下几个部分。首先，阐述了南阳画像石的历史背景。其次说了“意像性”在南阳画像石中的体现。之后说了传统中国画中的“意像性”的表达。最后说了当代中国画要更加注重“意像性”的融入。请给一个标题能过全面概括以上内容。

请将上面的标题更加简洁化，不需要提传统中国画，不能加逗号

请写一下南阳画像石的意象性对中国画发展方向的启示，不少于1000字，要注重写当代中国画一定要融入意象性，要有具体事例

请将上面的段落进一步扩充，字数大于3000字，重点关注南阳画像石的意象性给当代中国画的启示：当代中国画一定要注重融入意象性。

请将上面的段落进一步扩充，重点关注南阳画像石的意象性给当代中国画的启示：当代中国画一定要注重融入意象性。使其论证更加丰满。